
Bronzino
1503–1572 · Republic of Florence · Mannerism
The story
Bronzino got his chance with the Medici at their wedding in 1539, when he painted decorations for the marriage of Duke Cosimo I to Eleonora di Toledo, a Spanish noblewoman not yet twenty. Cosimo liked the work enough to hire him outright, and Bronzino stayed the family's court painter for the next twenty-five years.
His portrait of Eleonora with her young son Giovanni, painted around 1545, shows her in a dress patterned with pomegranates against a background of lapis lazuli blue, the same expensive pigment usually reserved for the Virgin Mary's robe. Every fold of fabric is rendered so precisely it looks almost cold, a deliberate style: Bronzino's Medici portraits present rulers as composed and controlled, never caught off guard.
He also decorated Eleonora's private chapel in the Palazzo Vecchio, his first major commission for the family, and kept painting Medici portraits until his own death in 1572, ten years after Eleonora herself had died.
Works
16 works
Venus, Cupid, Folly and TimeBronzino, 1545
Portrait of Eleanor of Toledo and her son Giovanni de' MediciBronzino, 1544
Portrait of Andrea Doria as NeptuneBronzino, 1545
Portrait of Lucrezia PanciatichiBronzino, 1545
Portrait of Cosimo I de' MediciBronzino, 1544
Deposition of ChristBronzino, 1543
Portrait of Bartolomeo PanciatichiBronzino, 1540
Panciatichi Holy FamilyBronzino, 1539
Portrait of a Young Man with a BookBronzino, 1540
Portrait of Bia de' MediciBronzino, 1543
Portrait of Giovanni de' Medici as a ChildBronzino, 1545
Portrait of Ugolino MartelliBronzino, 1536
Allegory of fortuneBronzino, 1567
Portrait of Stefano ColonnaBronzino, 1546
Portrait of the Dwarf Nano MorganteBronzino, 1553
Saint SebastianBronzino, 1533