
故事
Piet Mondrian died in New York in 1944 with one painting unfinished on the easel: 'Victory Boogie Woogie', a diamond-shaped canvas jumping with little blocks of red, yellow and blue, his attempt to catch the rhythm of Manhattan jazz. It hangs in The Hague, in the museum that owns more of his work than anywhere else, around 300 pieces tracing his path from ordinary Dutch landscapes to the grid of straight lines and primary colors that made his name.
The building suits him. It was the last design of Hendrik Berlage, the architect often called the father of modern Dutch architecture, who died in 1934 before it was finished. It opened in 1935, a calm composition of yellow brick and long low galleries, among the first museums laid out to move visitors gently from room to room.
Around the Mondrians the collection keeps to the same early-20th-century world, with De Stijl furniture, Art Deco objects and a large holding of modern fashion, so the flat geometry on the walls has its chairs and its dresses close by.
馆藏
17 件作品
Victory Boogie Woogie皮特·蒙德里安, 1942
红树皮特·蒙德里安, 1909
灰色的树皮特·蒙德里安, 1911
演化皮特·蒙德里安, 1911
罂粟花田文森特·梵高, 1890
卡西斯,隆巴尔角,作品196号保罗·西涅克, 1889
大红色块与黄、黑、灰、蓝的构成皮特·蒙德里安, 1921
韦斯特卡佩勒的灯塔皮特·蒙德里安, 1908
红云皮特·蒙德里安, 1907
红色风车皮特·蒙德里安, 1910
献身皮特·蒙德里安, 1908
阳光下的风车皮特·蒙德里安, 1908
一个中心瓦西里·康定斯基, 1922
栅栏后的农舍皮特·蒙德里安, 1904
构图 No.IV / 构图 6皮特·蒙德里安, 1914
有小径的花园文森特·梵高, 1888
Tableau I皮特·蒙德里安, 1921