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Piet Mondrian died in New York in 1944 with one painting unfinished on the easel: 'Victory Boogie Woogie', a diamond-shaped canvas jumping with little blocks of red, yellow and blue, his attempt to catch the rhythm of Manhattan jazz. It hangs in The Hague, in the museum that owns more of his work than anywhere else, around 300 pieces tracing his path from ordinary Dutch landscapes to the grid of straight lines and primary colors that made his name.
The building suits him. It was the last design of Hendrik Berlage, the architect often called the father of modern Dutch architecture, who died in 1934 before it was finished. It opened in 1935, a calm composition of yellow brick and long low galleries, among the first museums laid out to move visitors gently from room to room.
Around the Mondrians the collection keeps to the same early-20th-century world, with De Stijl furniture, Art Deco objects and a large holding of modern fashion, so the flat geometry on the walls has its chairs and its dresses close by.
소장품
작품 17점
Victory Boogie Woogie피트 몬드리안, 1942
붉은 나무피트 몬드리안, 1909
회색 나무피트 몬드리안, 1911
진화피트 몬드리안, 1911
양귀비 밭빈센트 반 고흐, 1890
카시스, 캅 롱바르, 작품 196번폴 시냐크, 1889
큰 빨간 면과 노랑, 검정, 회색, 파랑의 구성피트 몬드리안, 1921
베스트카펠러의 등대피트 몬드리안, 1908
붉은 구름피트 몬드리안, 1907
붉은 풍차피트 몬드리안, 1910
헌신피트 몬드리안, 1908
햇빛 속의 풍차피트 몬드리안, 1908
어떤 중심바실리 칸딘스키, 1922
울타리 뒤의 농가피트 몬드리안, 1904
컴포지션 No.IV / 컴포지션 6피트 몬드리안, 1914
오솔길이 있는 꽃 핀 정원빈센트 반 고흐, 1888
Tableau I피트 몬드리안, 1921