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Madrid's art quarter is often called the Golden Triangle, and this museum is its third point, a short walk from the Prado and the Reina Sofía. Where those two are Spanish state collections built over centuries, the Thyssen-Bornemisza was assembled in two generations by one family. Baron Heinrich Thyssen-Bornemisza, a German-Hungarian industrialist, started buying Old Masters between the wars, and his son Hans Heinrich carried it much further, adding Impressionists, Expressionists and American painting that European collectors then overlooked.
By the late 1980s the Baron was looking for a permanent home, and several countries competed to house the collection. Spain won, helped by his Spanish wife Carmen Cervera, and in 1993 the state bought around 775 works and installed them in the Palacio de Villahermosa, an early 19th-century mansion on the Paseo del Prado remodelled inside to hold them.
The pleasure of the place is its span. You can walk from 14th-century Italian gold-ground panels through Holbein, Caravaggio and Rubens into Monet and Van Gogh, and on to Kandinsky, Hopper and Lichtenstein, all under one roof. It fills the gaps the Prado leaves, which is why the three museums are usually visited as a set. Among its best-loved single works is Ghirlandaio's portrait of a young woman in profile, her red dress sharp against a dark ground.
소장품
작품 46점
성 카실다프란시스코 데 수르바란, 1635
산 비오에서 본 베네치아 대운하카날레토, 1723
무염시태엘 그레코, 1611
부활절 아침카스파르 다비트 프리드리히, 1828
황혼의 풍경빈센트 반 고흐, 1885
마타 무아폴 고갱, 1892
아센시오 훌리아의 초상프란시스코 고야, 1798
누워 있는 벌거벗은 양치기 소녀베르트 모리조, 1891
아를의 항만 노동자들빈센트 반 고흐, 1888
오버마르크트의 무르나우 집들바실리 칸딘스키, 1908
밝은 타원 안에바실리 칸딘스키, 1925
세 개의 반점이 있는 그림, 196번바실리 칸딘스키, 1914
안토니오 안셀미의 초상티치아노, 1550
젊은 남자의 초상라파엘로, 1515
농부의 초상폴 세잔, 1900
수태고지엘 그레코, 1598
파란 배클로드 모네, 1887
참회하는 성 히에로니무스티치아노, 1570
헤네프의 물레방아빈센트 반 고흐, 1884
정원의 양산을 든 여인피에르오귀스트 르누아르, 1875
무르나우, 요하니스 거리 위쪽바실리 칸딘스키, 1908