菲利普·赫伯特(第四代彭布罗克伯爵)、其第二任妻子安妮·克利福德夫人(第十四代克利福德女男爵)及其与前妻所生尚存的子女,连同玛丽·维利尔斯夫人的肖像

Anthony van Dyck · PD

菲利普·赫伯特(第四代彭布罗克伯爵)、其第二任妻子安妮·克利福德夫人(第十四代克利福德女男爵)及其与前妻所生尚存的子女,连同玛丽·维利尔斯夫人的肖像


作品信息

创作年份
1635
材质技法
布面油画
类型
绘画
尺寸
330 × 510 cm

故事

In 1635 the court of Charles I was at its most gilded, and Van Dyck was the man who made it look that way. This group portrait is the largest painting he ever made, almost seventeen feet across, and a room was built to hold it: the Double Cube at Wilton House, whose Palladian proportions Inigo Jones laid out in these same years. Ten figures stand just over life size. At the centre is the betrothal of the earl's son to Lady Mary Villiers, daughter of the assassinated Duke of Buckingham. Within a decade the sitter, Philip Herbert, Lord Chamberlain to the King, would break with Charles and side with Parliament in the civil war.

菲利普·赫伯特(第四代彭布罗克伯爵)、其第二任妻子安妮·克利福德夫人(第十四代克利福德女男爵)及其与前妻所生尚存的子女,连同玛丽·维利尔斯夫人的肖像 — 安东尼·凡·戴克 — MuseScope