
Jean-Marc Nattier
1685–1766 · France · Rococo
The story
Jean-Marc Nattier found his niche at the court of Louis XV, flattering its women by painting them as goddesses. A duchess becomes Diana the huntress with a crescent in her hair, the king's daughters pose as personifications of water or air, draped in silk and myth.
He had started more soberly and even turned down an offer to work for Peter the Great in Russia. At Versailles he perfected a soft, silvery Rococo portrait, half likeness and half fantasy, and the royal princesses sat to him repeatedly.
Fashions changed toward plainer, more natural portraiture before he died in 1766, and his reputation faded with the style he had served. Many of his sitters still hang at Versailles.
Works
6 works
Portrait of Mathilde de Canisy, Marquise d'AntinJean-Marc Nattier, 1738
Countess Tessin, Louise Ulrika Sparre af SundbyJean-Marc Nattier, 1741
Henriette of France as FloraJean-Marc Nattier, 1745
Marie Adelaide of France as DianaJean-Marc Nattier, 1745
Portrait of Marie Zéphyrine of FranceJean-Marc Nattier, 1751
The Duchess of Chaulnes as HebeJean-Marc Nattier, 1744