
Lorenzo Costa
1535 · Duchy of Ferrara · Italian Renaissance
The story
Lorenzo Costa got one of the best jobs in Renaissance Italy by a kind of inheritance. When the great Andrea Mantegna died in 1506, having served the Gonzaga rulers of Mantua for decades, Costa was called in to take his place as court painter, a hard act to follow.
He had grown up in the sharp-lined tradition of Ferrara and made his early career in Bologna, painting for the ruling Bentivoglio family, including their portraits and altarpieces in their chapel. Contact with the softer Bolognese painter Francesco Francia gently rounded his manner.
At Mantua he painted allegories for the famous studiolo of Isabella d'Este, the most demanding art patron of the age, working to her detailed written instructions. His allegories for that room hang today in the Louvre, beside the ones Mantegna had made for the same walls.
Works
16 works
Bentivoglio AltarpieceLorenzo Costa, 1488
Holy Family (Nativity)Lorenzo Costa, 1490
Allegory of Isabella d'Este's CoronationLorenzo Costa, 1506
The Reign of ComusLorenzo Costa, 1511
A ConcertLorenzo Costa, 1489
Christ at the ColumnLorenzo Costa, 1505
Portrait of a Woman with a Pearl NecklaceLorenzo Costa, 1490
Portrait of Giovanni II BentivoglioLorenzo Costa, 1490
Portrait (supposed to be of Battista Fiera)Lorenzo Costa, 1492
Saint John the BaptistLorenzo Costa, 1505
Saint John the EvangelistLorenzo Costa, 1505
Saint PeterLorenzo Costa, 1505
Saint PhilipLorenzo Costa, 1505
Saint SebastianLorenzo Costa, 1490
The Adoration of the MagiLorenzo Costa, 1499
The Virgin and Child enthroned with AngelsLorenzo Costa, 1505