
Théo van Rysselberghe
1862–1926 · Belgium · Neo-impressionism
The story
Theo van Rysselberghe helped turn Brussels into a second capital of the avant-garde. In 1883 he was among the founders of Les Vingt, a group of 20 Belgian artists who invited the boldest foreign painters to show with them each year, and it was through them that Georges Seurat's huge dotted canvas of Parisians in a park reached Belgium.
Van Rysselberghe was converted on the spot. He took up the painstaking pointillist method, building portraits and seascapes out of small separate touches of pure color, and became its leading practitioner outside France, close to the painter Paul Signac. In his later years he loosened the dots into a freer, warmer brushwork and moved to the south of France. He died there, near Saint-Clair on the Mediterranean coast, in 1926.
Works
11 works
Portrait of Marguerite van MonsThéo van Rysselberghe, 1886
A reading by Emile VerhaerenThéo van Rysselberghe, 1903
Maria SètheThéo van Rysselberghe, 1891
Portrait of Irma SètheThéo van Rysselberghe, 1894
A family gathering in an orchardThéo van Rysselberghe, 1890
Coastal SceneThéo van Rysselberghe, 1892
Émile VerhaerenThéo van Rysselberghe, 1915
Entrance to the Port of RoscoffThéo van Rysselberghe, 1889
Portrait of Constantin MeunierThéo van Rysselberghe, 1900
The Man at the HelmThéo van Rysselberghe, 1892
The 'Per-Kiridy' at high tide, 1889Théo van Rysselberghe, 1889