
The story
The Brooklyn Museum was meant to be the largest art museum in the world. The Beaux-Arts building that the firm McKim, Mead & White designed at the turn of the 20th century was only ever about a quarter built, and even so it is vast, a temple of a place at the edge of Prospect Park.
Inside is one of the finest Egyptian collections in the United States, thousands of years of statues, coffins and papyri, much of it gathered by the museum's own early expeditions. On the fourth floor is something that changed how museums think about who belongs on their walls: Judy Chicago's "The Dinner Party," a huge triangular banquet table set for thirty-nine women from history, given a permanent home here in 2007 at the heart of a center for feminist art. The museum's American galleries run alongside it, from colonial portraits through Hudson River landscapes to Georgia O'Keeffe.
Collection
7 works
A Storm in the Rocky Mountains, Mt. RosalieAlbert Bierstadt, 1866
Portrait of Mlle Fiocre in the Ballet "La Source"Edgar Degas, 1867
An Out-of-Doors StudyJohn Singer Sargent, 1889
Portrait of Tadeo Bravo de RiveroFrancisco Goya, 1806
Saint Joseph with the Flowering RodJusepe de Ribera, 1630
SilenceDante Gabriel Rossetti, 1870
The Seine and the Railroad Bridge at ArgenteuilGustave Caillebotte, 1885