
The story
Parma's national gallery is folded into the Palazzo della Pilotta, the huge brick pile the Farnese dukes threw up to hold the machinery of their court. You reach the paintings by walking through the palace's greatest surprise, the Teatro Farnese, a vast wooden theatre built in 1618 that seats thousands and was almost never used, rebuilt after wartime bombing flattened it.
The collection belongs to Parma. Its two home-grown geniuses dominate: Correggio, whose soft figures seem lit from within, and Parmigianino, whose elegant, elongated saints defined a whole Mannerist taste. The single most famous sheet, though, is a small unfinished head by Leonardo da Vinci, 'La Scapigliata', a young woman with tousled hair emerging from bare brown ground.
Because the gallery shares the Pilotta with an archaeology museum, a great library and a printing museum, one ticket in Parma walks you from a Baroque theatre through Leonardo and Correggio and out among Roman bronzes.
Collection
14 works
Head of a WomanLeonardo da Vinci, 1500
Martyrdom of Four SaintsAntonio da Correggio, 1524
Turkish SlaveParmigianino, 1533
Lamentation over the Dead ChristAntonio da Correggio, 1524
Madonna of St. JeromeAntonio da Correggio, 1528
Madonna della ScodellaAntonio da Correggio, 1528
AnnunciationAntonio da Correggio, 1525
Healing of the Man Born BlindEl Greco, 1570
Madonna and Child with Saints Michael the Archangel and AndrewGiovanni Battista Cima da Conegliano, 1497
Madonna and Child with SaintsAgostino Carracci, 1586
Sleeping EndymionGiovanni Battista Cima da Conegliano, 1507
Virgin of the Assumption and St. Michael the ArchangelDosso Dossi, 1533
Madonna and ChildAnthony van Dyck, 1621
Deesis with Saint Paul and Saint CatherineGiulio Romano, 1520