
The story
Castres, a small town in southern France, is an unexpected place to find a museum of Spanish art, but the Goya Museum has been just that since 1947. It fills the town's former bishops' palace, a dignified building of 1675 laid out to a design by Jules Hardouin-Mansart, one of the architects of Versailles, with formal gardens by Le Nôtre behind it.
Goya anchors the collection. Alongside a few of his paintings, including a self-portrait, hang the great print series where his imagination turned dark, Los Caprichos and the Disasters of War, sheet after sheet of nightmare and cruelty. Around him the museum builds the widest Spanish holding in France after the Louvre, with Murillo and works tied to Velázquez, some of them deposited long ago from Paris. The Le Nôtre gardens are part of the ticket, a slice of French order behind a house full of Spanish intensity.
Collection
6 works
The Junta of the PhilippinesFrancisco Goya, 1815
Self portrait with spectaclesFrancisco Goya, 1800
Our Lady of the RosaryBartolomé Esteban Murillo, 1650
Portrait of Francisco del MazoFrancisco Goya, 1817
Philip IV as a HuntsmanDiego Velázquez, 1634
Saint François d'Assise et frère Léon méditant sur la mortAnonymous, 1612