
The story
Manchester founded this gallery in the 1820s, just as it was becoming the first great industrial city, in a Greek-revival building by Charles Barry, the architect who would later design the Houses of Parliament in London. It began as a private institution for the city's manufacturers and passed into public hands in 1882.
Its strength is Victorian painting, above all the Pre-Raphaelites, the young rebels who wanted art to reach back past Raphael to something sharper and brighter. Ford Madox Brown's crowded street scene "Work" is here, along with Holman Hunt and Rossetti, and a good collection of British watercolours in the rooms nearby. These are pictures made in the same decades, and often the same country, that Manchester's mills were busily remaking.
Collection
14 works
Hylas and the NymphsJohn William Waterhouse, 1896
The Sirens and UlyssesWilliam Etty, 1837
Autumn LeavesJohn Everett Millais, 1856
The Hireling ShepherdWilliam Holman Hunt, 1851
The Shadow of DeathWilliam Holman Hunt, 1873
Victory O Lord!John Everett Millais, 1871
WorkFord Madox Brown, 1852
The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and IntemperateWilliam Etty, 1832
Captive AndromacheFrederic Leighton, 1888
Astarte SyriacaDante Gabriel Rossetti, 1877
Joli CoeurDante Gabriel Rossetti, 1867
The Bower MeadowDante Gabriel Rossetti, 1872
A Village Street. LouveciennesCamille Pissarro, 1871
La Donna della FiammaDante Gabriel Rossetti, 1870