
The story
After Spain closed many of its convents in the 1830s, the paintings that had hung in Seville's religious houses were brought together in one of them, the old Convento de la Merced, a Baroque cloister with tiled courtyards. The Museo de Bellas Artes opened there in 1841 and has stayed.
It is often called the finest gallery of Spanish painting after the Prado, and it is above all a museum of Seville's own golden age. Here are Murillo, the city's tender painter of Virgins and street children, the stern monks of Zurbarán, and the unsettling religious visions of Valdés Leal. Because so much of the collection came from local convents, the pictures now hang near where they were made and first seen.
The heart of the visit is the former convent church, its walls lined floor to ceiling with Murillo, under a painted and gilded ceiling.
Collection
15 works
Portrait of Jorge Manuel TheotocópuliEl Greco, 1600
Saint Francis embracing Christ on the CrossBartolomé Esteban Murillo, 1668
Madonna of the NapkinBartolomé Esteban Murillo, 1668
Mater DolorosaBartolomé Esteban Murillo, 1660
Saint Hugh in the Carthusian RefectoryFrancisco de Zurbarán, 1655
Immaculate ConceptionBartolomé Esteban Murillo, 1652
Saint Anthony of Padua with the ChildBartolomé Esteban Murillo, 1668
St. Justa and St. RufinaBartolomé Esteban Murillo, 1666
The Apotheosis of St. Thomas of AquinoFrancisco de Zurbarán, 1631
Saint Thomas of Villanueva giving alms to the poorBartolomé Esteban Murillo, 1668
Blessed Henry SusoFrancisco de Zurbarán, 1639
Don Cristóbal Suárez de RiberaDiego Velázquez, 1620
Saint Catherine of AlexandriaBartolomé Esteban Murillo, 1650
The Virgin of the CavesFrancisco de Zurbarán, 1650
The Visit of Saint Bruno to Urban IIFrancisco de Zurbarán, 1655