
The story
Brussels keeps its national art collection across a cluster of linked museums on the hill above the old town, and it runs from the 15th century to the present. The heart of it is Flemish: Rogier van der Weyden, Memling, a Bosch, and the finest gathering of Pieter Bruegel the Elder outside Vienna, including his snowy Census at Bethlehem and The Fall of the Rebel Angels, a swarming pile-up of monsters tumbling out of heaven.
One floor holds Jacques-Louis David's Death of Marat, the murdered French revolutionary slumped in his bath, painted in Brussels in 1793 while David lived there in exile.
Go down instead and you reach the Magritte Museum, several floors given over to the Belgian surrealist René Magritte, more than 200 of his works, the bowler hats and floating stones and the pipes that insist they are not pipes.
Collection
13 works
The Death of MaratJacques-Louis David, 1793
The Fall of the Rebel AngelsPieter Brueghel the Elder, 1562
The Green ChristPaul Gauguin, 1889
Mars Being Disarmed by VenusJacques-Louis David, 1824
Apollo Flaying MarsyasJusepe de Ribera, 1637
Nude against the lightPierre Bonnard, 1908
The King DrinksJacob Jordaens, 1640
Episode of the September Days 1830, on the Grand Place of BrusselsÉgide Charles Gustave Wappers, 1835
Portrait of Marguerite KhnopffFernand Khnopff, 1887
Portrait of an old manAnthony van Dyck
Portrait of Barbara van VlaendenberghHans Memling, 1480
Portrait of flutist François DevienneJacques-Louis David, 1792
Portrait of the Sculptor François DuquesnoyAnthony van Dyck, 1622