
Pieter Brueghel the Elder, Children's Games, 1560. Wikimedia Commons. · PD
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Bruegel painted this town square in 1560 and packed it with more than 230 children playing something like 80 different games. They roll hoops, walk on stilts, ride hobby-horses, turn cartwheels, play leapfrog and blind man's buff, blow up a pig's bladder like a balloon. Scholars have spent a long time identifying every one, and a surprising number are still played today. But it isn't really a cheerful scene of fun, and Bruegel didn't mean it as an encyclopedia of toys. Notice that not one grown-up is in sight, and that the children go about their games with a heavy, joyless seriousness, the same intent frowns adults wear over their own supposedly important business. That was the point. It belonged to a set on human folly, and a popular idea of the day, written in a Flemish poem a generation earlier, held that from God's view all our grown-up striving looks as small and foolish as children lost in their play. So the square reads two ways at once. Down in the lower corner a girl scrapes a shard against a brick, one of the plainest, oldest games of all, doing it as gravely as everyone else.




