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The Museum of Modern Art opened in November 1929, nine days after the Wall Street Crash, which tells you something about the nerve behind it. It was founded by three women, Abby Aldrich Rockefeller, Lillie P. Bliss and Mary Quinn Sullivan, who were frustrated that New York's great museums would not take living, modern artists seriously. They started in a few rented rooms on Fifth Avenue with a loan show of Van Gogh, Gauguin, Cézanne and Seurat, and the idea caught on fast.
Its first director, Alfred H. Barr, then 27, gave the young museum its shape. He argued that modern art was one connected story running from Post-Impressionism through Cubism and abstraction, and he built departments not only for painting but for film, photography, design and architecture, which most museums treated as beneath them. That is why a chair, a helicopter or a typeface can share the institution with the paintings.
And the paintings are among the most reproduced on earth. Van Gogh's Starry Night, with its rolling night sky, was bought in 1941. Down the halls are Picasso's Les Demoiselles d'Avignon, the jagged 1907 canvas that opened the door to Cubism, Monet's wall-filling Water Lilies, Dalí's melting clocks in The Persistence of Memory, and Warhol's soup cans. The building itself has been rebuilt and enlarged several times on the same block of West 53rd Street, most recently in a 2019 expansion that added galleries and put more of the collection on view.
소장품
작품 42점
옹플뢰르의 저녁조르주 쇠라, 1886
그랑캉의 저녁조르주 쇠라, 1885
실내, 화가의 어머니와 누이에두아르 뷔야르, 1893
소녀가 있는 실내 (책 읽는 소녀)앙리 마티스, 1905
탬버린을 든 오달리스크앙리 마티스, 1925
궁수가 있는 그림바실리 칸딘스키, 1909
조제프 룰랭의 초상빈센트 반 고흐, 1889
누워 있는 누드아메데오 모딜리아니, 1919
밀짚모자를 쓴 자화상폴 세잔, 1878
지는 해, 콩카르노의 정어리잡이폴 시냐크, 1891
과일 그릇이 있는 정물폴 세잔, 1879
일본식 다리클로드 모네, 1920
올리브 나무빈센트 반 고흐, 1889
매화앙리 마티스, 1948
노트르담의 전경앙리 마티스, 1914
수련클로드 모네, 1918
높은 의자에 앉은 여인앙리 마티스, 1914