Bildnis eines jungen Mannes in Rot

By the 1480s Giovanni Bellini had spent years running the busiest painting workshop in Venice, and he had quietly changed how the city liked to be portrayed. Older Venetian portraits showed a face in strict profile, like a head on a coin. Bellini turned his sitters toward us, three-quarters on, against a band of open sky. This young man in a red cap and gown is one of the results, painted somewhere around 1485. We no longer know who he was, and there is no coat of arms or inscription to help. What survives is the observation: the soft light along the jaw, the loose strands of hair, the steady sidelong gaze that never quite meets ours. The panel is small, only about a foot high, made to be held and studied up close rather than hung across a hall.