
Luca Giordano
1634–1705 · Kingdom of Naples · Baroque
The story
Luca Giordano worked so fast that Italians nicknamed him Luca fa presto, Luke works quickly, a phrase supposedly shouted at him as a boy by his painter father pushing him to earn. He grew into the most productive decorator of the Baroque, able to cover a whole ceiling in a matter of weeks.
From Naples he ranged across Italy taking huge commissions. In Florence he painted the ceiling of the gallery in the Medici-Riccardi palace, a swirling allegory of the dynasty, in just a few months. He could imitate any earlier master so convincingly that some of his pastiches passed for originals.
In 1692 the Spanish king Charles II summoned him to Madrid, where he spent a decade frescoing the vaults of the Escorial monastery and the royal palaces. He came home to Naples rich and covered in honours, and painted there until his death in 1705.
Works
21 works
The Marriage of the VirginLuca Giordano, 1688
Adoration of the Shepherds (1688)Luca Giordano, 1688
The Fall of the Rebel AngelsLuca Giordano, 1666
Patron Saints of Naples adoring the CrucifixLuca Giordano, 1660
Saint Januarius intercedes with the Virgin, Christ, and Eternal Father for the plagueLuca Giordano, 1656
Apollo in his ChariotLuca Giordano, 1685
Bacchus and AriadneLuca Giordano
Christ among the DoctorsLuca Giordano, 1665
Penitent MagdalenLuca Giordano
Perseus turning Phineus and his Followers to StoneLuca Giordano, 1660
Philosopher Holding a Book and a Roll of PaperLuca Giordano, 1662
Philosopher with a Flask at His BeltLuca Giordano, 1662
Philosopher with SpectaclesLuca Giordano, 1662
Selene and EndymionLuca Giordano, 1677
Self-portraitLuca Giordano, 1670
The Communion of the ApostlesLuca Giordano
The Death of SenecaLuca Giordano, 1687
The Defeat of SiseraLuca Giordano, 1692
The Descent from the CrossLuca Giordano, 1665
The Entombment of ChristLuca Giordano
Venus Giving Arms to AeneasLuca Giordano, 1681