
Pompeo Batoni
1708–1787 · Republic of Lucca · Classicism
The story
In the eighteenth century a young British gentleman on the Grand Tour wanted proof he had reached Rome, and the man to supply it was Pompeo Batoni. His studio turned out elegant full-length portraits of these travellers, posed with easy confidence among antique statues, ruins and marble dogs.
Batoni was more than a souvenir machine. He was one of Rome's leading painters, admired for his clear drawing and cool colour, and he handled grand religious and mythological commissions for popes and kings alongside the portraits.
Hundreds of his sitters survive, a whole gallery of Georgian aristocrats leaning on urns. His 'Colonel William Gordon', wrapped in tartan against a Roman backdrop, is among the most reproduced of them.
Works
13 works
Achilles and the Centaur ChironPompeo Batoni, 1746
Emperor Joseph II with Grand Duke Pietro Leopoldo of TuscanyPompeo Batoni, 1769
Francis Basset, 1st Baron de DunstanvillePompeo Batoni, 1778
Hercules at the CrossroadsPompeo Batoni, 1742
Portrait of Abbondio Rezzonico, Senator of RomePompeo Batoni, 1766
Portrait of Charles John CrowlePompeo Batoni, 1762
Portrait of Pope Clement XIII RezzonicoPompeo Batoni, 1760
Portrait of Richard MillesPompeo Batoni, 1759
Self-portraitPompeo Batoni, 1770
The CrucifixionPompeo Batoni, 1762
The Infant Hercules Strangling the SerpentsPompeo Batoni, 1743
The Return of the Prodigal SonPompeo Batoni, 1773
The Virgin of the AnnunciationPompeo Batoni, 1737