
The story
For centuries the Doge's Palace was the whole Venetian state in one building, the residence of the elected Doge, the council chambers, the law courts and the prisons, all wrapped in pink-and-white Gothic stonework on the lagoon's edge. Power and punishment sat a few rooms apart.
The great council hall, the Sala del Maggior Consiglio, carries on its end wall Tintoretto's Paradise, one of the largest oil paintings in the world, a swirling heaven of hundreds of figures made when the artist was in his seventies. Overhead, ceilings by Veronese and Tintoretto glorify Venice as a crowned goddess.
From the palace a covered stone bridge crosses a narrow canal to the newer prison, the Bridge of Sighs, named centuries later for the last view of Venice a condemned prisoner would catch through its stone lattice. The route through the palace still ends there, in the cells.
Collection
13 works
ParadiseJacopo Tintoretto, 1588
Bacchus, Venus and AriadneJacopo Tintoretto, 1577
Doge Antonio Grimani Kneeling Before the FaithTitian, 1575
Triumph of VenicePaolo Veronese, 1585
The abduction of EuropaPaolo Veronese, 1578
Minerva Sending Away Mars from Peace and ProsperityJacopo Tintoretto, 1576
Neptune Offering Gifts to VeniceGiovanni Battista Tiepolo, 1740
Saint ChristopherTitian, 1523
Andrea Gritti, assisted by St. Mark, before Mary and Sts. Bernardino, Luigi and MarinaJacopo Tintoretto, 1594
Conquest of SmyrnaPaolo Veronese, 1585
Mars and NeptunePaolo Veronese, 1578
ProsperityPaolo Veronese, 1577
RewardPaolo Veronese, 1575