
The story
The Fitzwilliam owes its existence to one man's will. Richard FitzWilliam, seventh Viscount FitzWilliam, left his paintings, books and music, plus money to build a home for them, to the University of Cambridge when he died in 1816. The grand columned building that resulted was begun by George Basevi, an architect who died mid-project in 1845 by falling from the bell tower of Ely Cathedral while inspecting repairs.
Inside is a rich, compact collection for a university town, with Titian and Veronese, Dutch still lifes, French Impressionists, illuminated manuscripts and a celebrated run of Chinese ceramics. Those ceramics are the source of the museum's oddest modern story. In 2006 a visitor caught his shoelace, tumbled down a staircase and shattered three Qing dynasty vases that had sat on a windowsill for decades. Conservators spent months piecing the hundreds of fragments back together, and the mended vases returned to display, this time safely behind glass.
Collection
15 works
Tarquin and LucretiaTitian, 1571
Self-portrait with the ColosseumMaarten van Heemskerck, 1553
Joan of ArcDante Gabriel Rossetti, 1882
Algernon Charles SwinburneDante Gabriel Rossetti, 1861
Bruna BrunelleschiDante Gabriel Rossetti, 1878
Teresa of Avilà's Vision of the DovePeter Paul Rubens, 1614
The Gust of WindPierre-Auguste Renoir, 1872
The Vision of Fray LauterioBartolomé Esteban Murillo, 1640
Golden WaterDante Gabriel Rossetti, 1858
Hermes, Herse and AglaurosPaolo Veronese, 1580
La Place ClichyPierre-Auguste Renoir, 1880
The Flood at Port MarlyAlfred Sisley, 1876
The NativityDomenico Ghirlandaio, 1492
Entrée de port, PortrieuxPaul Signac
ScheveningenEugène Louis Boudin