
The story
The face on the museum's own emblem is a young woman in strict profile, painted around 1470 by Piero del Pollaiuolo: pale skin, elaborate braids, a Milanese noblewoman fixed forever looking to the right. She hangs in what was once a private apartment near La Scala, the home of Gian Giacomo Poldi Pezzoli, a wealthy Milanese collector who spent his life filling these rooms with Renaissance paintings, armour, glass, clocks and textiles.
He arranged each room around a period and a mood, and left the whole thing to the public. It opened in 1881, two years after his death, as one of the first house-museums in Italy. Alongside the Pollaiuolo profile you meet a Botticelli Madonna, a Mantegna, and Piero della Francesca's small Saint Nicholas, all in the domestic setting he designed for them rather than on white gallery walls. A room of medieval and Renaissance arms and armour survives from his first passion as a collector.
Collection
10 works
Madonna of the BookSandro Botticelli, 1480
Lamentation over the Dead Christ with SaintsSandro Botticelli, 1495
Portrait of a GirlPiero del Pollaiuolo, 1470
Blood of ChristCarlo Crivelli, 1490
PietàFilippo Lippi, 1437
Virgin and ChildAndrea Mantegna, 1490
Pra' della Valle in PaduaCanaletto, 1743
Theseus Killing the MinotaurGiovanni Battista Cima da Conegliano, 1505
Profile of a Man (Mantegna)Andrea Mantegna, 1460
PietàGiovanni Bellini, 1455