
The story
The Walters is really two men's obsession made public. William Walters, a Baltimore liquor and railroad magnate, began buying art while sitting out the Civil War in Europe. His son Henry carried it much further, buying whole collections at a time, and in 1931 he left the building and everything in it to the city of Baltimore.
What they assembled is remarkably wide, an encyclopedic sweep from Egyptian mummies and Greek bronzes through medieval ivories and illuminated manuscripts to Renaissance painting, Fabergé objects, and Art Nouveau jewellery. Henry in particular loved the small and the exquisite.
The whole permanent collection is free to enter, honouring the terms of the gift.
Collection
22 works
SpringtimeClaude Monet, 1872
The Death of CaesarJean-Léon Gérôme, 1859
Madonna of the CandelabraRaphael, 1513
Sappho and AlcaeusLawrence Alma-Tadema, 1881
The Café-ConcertÉdouard Manet, 1878
The Potato HarvestJean-François Millet, 1855
The Christian Martyrs' Last PrayerJean-Léon Gérôme, 1883
Before the RaceEdgar Degas, 1882
A Roman Slave MarketJean-Léon Gérôme, 1884
Scipio Africanus Freeing MassivaGiovanni Battista Tiepolo, 1719
The Terrace at Saint-Germain, SpringAlfred Sisley, 1875
The Tulip FollyJean-Léon Gérôme, 1882
Portrait of Marquess Massimiliano StampaSofonisba Anguissola, 1557
The Holy Family with the Infant Saint John the BaptistRosso Fiorentino, 1521
The Hopeless CaseAntonio Rotta, 1871
Saint Francis Receiving the StigmataEl Greco, 1587
Christ on the Sea of GalileeEugène Delacroix, 1854
The Archdukes Albert and Isabella Visiting a Collector's CabinetJan Brueghel the Elder, 1621
The Betrothal of Raphael and the Niece of Cardinal BibbienaJean-Auguste-Dominique Ingres, 1813
The Goose GirlJean-François Millet, 1863
MarphiseEugène Delacroix, 1852
Odalisque with SlaveJean-Auguste-Dominique Ingres, 1842