
故事
Walk into the Metropolitan and you can cross the ancient world, medieval Europe, imperial China and modern New York in a single afternoon. One wing holds an entire Egyptian temple, the Temple of Dendur, given by Egypt in the 1960s and rebuilt stone by stone behind a glass wall facing Central Park. Beyond it run galleries of European painting, a hall of arms and armor, a collection of historical dress, and an American Wing built around the marble facade of a demolished Wall Street bank. The Met was meant to hold the whole world, and it now keeps close to two million objects.
It had to build that from nothing. When a group of Americans incorporated the museum in 1870, the young United States had no royal or imperial hoard to inherit the way the Louvre or the Prado had. The founders, the lawyer John Jay among them, set out to assemble an encyclopedia of human art for a country that owned none. Its first purchase was a single Roman sarcophagus, and the next year a block of 174 European paintings gave it a picture gallery overnight.
The city granted it land inside Central Park on one condition, that the doors stay open to the public. The columned Fifth Avenue front that visitors climb today was designed by Richard Morris Hunt and finished in 1902. Behind it the original red-brick building of 1880 still stands, hidden inside the later wings and visible now only from within the galleries.
馆藏
316 件作品
舞蹈课埃德加·德加, 1874
死去的基督与天使爱德华·马奈, 1864
渔船居斯塔夫·库尔贝, 1865
帕里斯的评判老卢卡斯·克拉纳赫, 1528
布洛涅港的“基尔萨奇”号爱德华·马奈, 1864
恋人礼萨·阿巴斯, 1630
圣芭芭拉的殉道老卢卡斯·克拉纳赫, 1510
狮子的盛宴亨利·卢梭, 1907
焚烧船队的特洛伊妇女克洛德·洛兰, 1643
两个逗猫的孩子安尼巴莱·卡拉奇, 1590
圣母子卡洛·克里韦利, 1472
缝纫的年轻母亲玛丽·卡萨特, 1900
一朵玫瑰托马斯·波洛克·安舒茨, 1907
拉夏特尔伯爵夫人(玛丽·夏洛特·路易丝·佩雷特·阿格拉埃·邦当,1762-1848)伊丽莎白·维杰·勒布伦, 1789
戴耳环的埃及女子约翰·辛格·萨金特, 1890
弗洛琳达弗朗茨·夏维尔·温特哈尔特, 1853
弗朗切斯科·萨塞蒂与其子特奥多罗多梅尼科·基尔兰达约, 1488
荒野中的夏甲让-巴蒂斯特·卡米耶·柯罗, 1835
约瑟夫-安托万·莫尔泰多让-奥古斯特-多米尼克·安格尔, 1810
阿尔勒的女人文森特·梵高, 1888
雷曼圣母乔凡尼·贝利尼, 1470
窗前的丁香玛丽·卡萨特, 1880
莉迪亚在马利花园中钩织玛丽·卡萨特, 1880
格朗夫人(诺埃尔·凯瑟琳·韦尔莱,1761–1835)伊丽莎白·维杰·勒布伦, 1783
梅泽坦让-安托万·华托, 1717