Canaletto

Canaletto

1697–1768 · Republic of Venice · Rococo


The story

Canaletto made his name painting Venice so precisely that art historians can still identify the exact building, the exact angle of light, in many of his views of the city. Born Giovanni Antonio Canal in 1697, the son of a theatrical scene painter, he started out designing sets for operas, including some by Antonio Vivaldi, the Venetian composer, before turning to the cityscapes that made him famous.

He worked for years through a British art dealer named Joseph Smith, who sold his views of the Grand Canal and its palazzi almost entirely to English aristocrats on the Grand Tour, the extended European trip wealthy young Britons took as a rite of passage. That market pulled Canaletto to London himself in the 1740s, where he spent nearly a decade painting English views in the same crisp, sunlit style.

He returned to Venice, was elected to the city's painters' academy in 1763, and kept working until his death there in 1768.

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Works

82 works
The Piazzetta and the Bacino di San MarcoThe Piazzetta and the Bacino di San MarcoCanaletto, 1736The River Thames Looking Towards Westminster from LambethThe River Thames Looking Towards Westminster from LambethCanaletto, 1747The River Thames with St. Paul's Cathedral on Lord Mayor's DayThe River Thames with St. Paul's Cathedral on Lord Mayor's DayCanaletto, 1746The South Façade of Warwick CastleThe South Façade of Warwick CastleCanaletto, 1748Venice: The Basin of San Marco on Ascension DayVenice: The Basin of San Marco on Ascension DayCanaletto, 1740Venice: The Interior of San Marco by DayVenice: The Interior of San Marco by DayCanaletto, 1755Venice: The Upper Reaches of the Grand Canal with S. Simeone PiccoloVenice: The Upper Reaches of the Grand Canal with S. Simeone PiccoloCanaletto, 1740View of Canale di Santa Chiara, VeniceView of Canale di Santa Chiara, VeniceCanaletto, 1730View of DoloView of DoloCanaletto, 1755View of Santa Maria della Salute, from the entrance of the Great CanalView of Santa Maria della Salute, from the entrance of the Great CanalCanaletto, 1727View of the entrance to the ArsenalView of the entrance to the ArsenalCanaletto, 1732Warwick CastleWarwick CastleCanaletto, 1748Warwick Castle, East Front from the Outer CourtWarwick Castle, East Front from the Outer CourtCanaletto, 1752Campo Santi Giovanni e PaoloCampo Santi Giovanni e PaoloCanaletto, 1726Capriccio: A Sluice on a River with a ChapelCapriccio: A Sluice on a River with a ChapelCanaletto, 1754Fonteghetto della Farina, VeniceFonteghetto della Farina, VeniceCanaletto, 1735Piazza San Marco:Looking East from the South West CornerPiazza San Marco:Looking East from the South West CornerCanaletto, 1756Piazza San Marco, Looking toward San GeminianoPiazza San Marco, Looking toward San GeminianoCanaletto, 1735San Giorgio Maggiore: from the Bacino di S. MarcoSan Giorgio Maggiore: from the Bacino di S. MarcoCanaletto, 1728Santa Maria della Salute and Riva degli Schiavoni, VeniceSanta Maria della Salute and Riva degli Schiavoni, VeniceCanaletto, 1737The Basilica of Maxentius and the Church of Santa Francesca RomanaThe Basilica of Maxentius and the Church of Santa Francesca RomanaCanaletto, 1755The Grand CanalThe Grand CanalCanaletto, 1735The Grand Canal from Campo della CaritàThe Grand Canal from Campo della CaritàCanalettoThe Grand Canal from Santa Maria della Carità to the Bacino di San MarcoThe Grand Canal from Santa Maria della Carità to the Bacino di San MarcoCanaletto, 1726The Grand Canal from Santa Maria di Nazareth toward Santa CroceThe Grand Canal from Santa Maria di Nazareth toward Santa CroceCanaletto, 1738