
Giovanni Paolo Panini
1691–1765 · Duchy of Parma · Baroque
The story
Giovanni Paolo Panini painted Rome for the people who came to see it. In the 18th century the city was the climax of the Grand Tour, and Panini supplied wealthy visitors with sharp, sunlit views of its ancient ruins and grand church interiors to carry home as souvenirs of the trip.
His cleverest invention was the picture-gallery painting. In these he imagined a great hall whose walls are hung, floor to ceiling, with dozens of his own small views of Roman sights, ancient Rome in one canvas and modern Rome in its pair. It is a painted catalogue of the city, and a quiet boast about how much of it he could render.
He also left one of the best records of the Pantheon's interior, the domed temple with its open eye to the sky. He taught perspective in Rome and married into a French family well connected at the Academy, which carried his fame to Paris.
Works
10 works
Carlo III di Borbone visiting the Pope Benedetto XIV in the coffee-house of the Quirinale, RomeGiovanni Paolo Panini, 1746
Charles of Bourbon Visiting St Peter's BasilicaGiovanni Paolo Panini, 1745
Architectural Capriccio with a Preacher in Roman RuinsGiovanni Paolo Panini, 1737
Fountain of Trevi, RomeGiovanni Paolo Panini
Gallery of Views of Ancient RomeGiovanni Paolo Panini, 1758
Gallery of Views of Modern RomeGiovanni Paolo Panini, 1759
Musical Festival Given by Cardinal de La Rochefoucauld at the Teatro Argentina, RomeGiovanni Paolo Panini, 1747
Picture Gallery with Views of Modern RomeGiovanni Paolo Panini, 1757
Preparations for the Fireworks and Festival in Piazza Navona, Rome, for the Birth of the Dauphin (30 November 1729)Giovanni Paolo Panini, 1729
The Lottery in Piazza di MontecitorioGiovanni Paolo Panini, 1743