
Thomas Cole
1801–1848 · United States · Hudson River school
The story
Thomas Cole taught America to look at its own wilderness. Born in England in 1801 and largely self-taught, he came to the United States as a young man and, on sketching trips up the Hudson River and into the Catskill Mountains, found a subject nobody had made grand art from, the untouched American forest. The painters who followed him became known as the Hudson River School, the first native landscape movement in the country.
Cole was uneasy about the very progress his new country celebrated. In his five-part series The Course of Empire, finished in 1836, he shows the same landscape pass from wilderness to a marble empire and then to ruin, a warning about where ambition leads. His single most famous view, The Oxbow, sets a dark storm over untamed forest against sunlit farmland on the bend of a river, wildness and settlement in one frame.
He settled in the village of Catskill, New York, and kept painting the mountains within sight of his home. He died there in 1848, only 47, just as the wild country he had made famous was beginning to be cut, farmed and crossed by railroads.
Works
22 works
The Architect's DreamThomas Cole, 1840
The OxbowThomas Cole, 1836
The Titan's GobletThomas Cole, 1833
Lake with Dead Trees (Catskill)Thomas Cole, 1825
The Subsiding of the Waters of the DelugeThomas Cole, 1829
Expulsion from the Garden of EdenThomas Cole, 1828
Prometheus BoundThomas Cole, 1847
Cross at SunsetThomas Cole, 1848
Kaaterskill FallsThomas Cole, 1826
The Fountain of VaucluseThomas Cole, 1841
View of FlorenceThomas Cole, 1837
Arch of NeroThomas Cole, 1846
Genesee SceneryThomas Cole, 1847
An Italian AutumnThomas Cole, 1844
Expulsion. Moon and FirelightThomas Cole, 1828
River in the CatskillsThomas Cole, 1843
Salvator Rosa Sketching BandittiThomas Cole, 1836
Sunset in the CatskillsThomas Cole, 1841
The Cross in the WildernessThomas Cole, 1845
The Temple of Segesta with the Artist SketchingThomas Cole, 1842
View of the Round-Top in the Catskill MountainsThomas Cole, 1827
View of the ThamesThomas Cole, 1845