
The story
For eleven years the Royal Museum of Fine Arts in Antwerp was shut. It closed in 2011 for what was meant to be a briefer overhaul and did not reopen until 2022, after architects had hollowed out the old courtyards and dropped tall white galleries into the middle of the 1890s building without touching its grand exterior.
What it guards is Flemish painting across six centuries, from the gold-ground panels of the early masters Jan van Eyck and Hans Memling to the big Baroque altarpieces of Peter Paul Rubens, Antwerp's own painter, who ran a busy workshop a short walk away. The old and the new galleries are joined by a wing given over to James Ensor, the strange painter from Ostend whose crowds of carnival masks and skeletons the museum holds in greater number than anywhere else.
The white rooms carved into the roof are lit from above and hung with modern Belgian work, so a visitor climbs from Memling's quiet Madonnas in the old halls up into daylight and Ensor's grinning masks, all inside one building that spent a decade turned inside out.
Collection
70 works
Ostend HarbourJames Ensor, 1900
Skeleton Painter in his StudioJames Ensor, 1896
SloopsJames Ensor, 1890
Still Life with ChinoiseriesJames Ensor, 1906
Theatre of MasksJames Ensor, 1889
The Crucified ChristPeter Paul Rubens, 1611
The education of MaryPeter Paul Rubens, 1630
The Holy Family with the ParrotPeter Paul Rubens, 1614
The Lady with FanJames Ensor, 1880
The Lady with Red ParasolJames Ensor, 1880
The Last Communion of Francis of AssisiPeter Paul Rubens, 1619
Theo HannonJames Ensor, 1882
The Painter Alfred William FinchJames Ensor, 1880
The SkateJames Ensor, 1880
The Virgin and Child Enthroned with SaintsPeter Paul Rubens, 1628
The WaitJames Ensor, 1880
The White CloudJames Ensor, 1884
Triumphal Chariot of KalloPeter Paul Rubens, 1638
View of Flushing, luminous waves and vibrationsJames Ensor, 1890
Woman with Blue ShawlJames Ensor, 1881