
The story
The Saint Louis Art Museum sits in a grand stone hall built for a party. It was the Palace of Fine Arts at the 1904 World's Fair, the huge exposition that filled Forest Park, designed by the architect Cass Gilbert, and it was made to last while the rest of the fair's plaster palaces were pulled down. The carved motto over the entrance still reads Dedicated to Art.
Today it is free to enter, paid for by a regional tax, and it holds a surprise for a Midwestern city: the largest collection of Max Beckmann anywhere. The German painter, branded degenerate by the Nazis, spent his last years teaching a short drive away at Washington University, and the museum gathered his heavy, brooding figures in force.
A dark stone-and-glass wing by the British architect David Chipperfield opened in 2013 beside the old palace, holding the modern galleries, so the collection runs from ancient China to German Expressionism under two very different roofs.
Collection
15 works
DanaëArtemisia Gentileschi, 1612
Smiling Girl, a Courtesan, Holding an Obscene ImageGerard van Honthorst, 1625
Madame RoulinPaul Gauguin, 1888
Bathers with a TurtleHenri Matisse, 1907
Sadak in Search of the Waters of OblivionJohn Martin, 1812
Street Musicians at the DoorJacob Ochtervelt, 1665
Factories at ClichyVincent van Gogh, 1887
Elvira Resting at a TableAmedeo Modigliani, 1919
Stairway at AuversVincent van Gogh, 1890
Still Life, Basket of ApplesVincent van Gogh, 1887
Head of a Peasant WomanVincent van Gogh, 1884
Léonard Renoir, The Artist’s FatherPierre-Auguste Renoir, 1869
Port-en-Bessin: The Outer Harbor (Low Tide)Georges Seurat, 1888
St. Francis Contemplating a SkullFrancisco de Zurbarán, 1635
Vineyards at AuversVincent van Gogh, 1890