
The story
The ground Tate Britain stands on beside the Thames was once the largest prison in London. Millbank Penitentiary held convicts here, many of them awaiting transport to Australia, until it was demolished around 1890. On the cleared site the sugar magnate Henry Tate, who had offered the nation his own collection of modern British paintings, helped pay for a new gallery, which opened in 1897.
Its subject is British art, from the 16th century to now: Hogarth and Gainsborough, the Pre-Raphaelites, Constable, Stanley Spencer, Francis Bacon and David Hockney, telling the story of art made in these islands under one roof.
At its heart is Turner. When J.M.W. Turner died in 1851 he left the nation the huge contents of his studio, thousands of paintings and works on paper, on the wish that they be kept together. That Turner Bequest finally got a home built for it in 1987, the Clore Gallery, a wing added to one side of the museum, where his storms and burning sunsets hang in daylit rooms overlooking the river he painted so often.
Collection
63 works
War. The Exile and the Rock LimpetJ. M. W. Turner, 1842
Forum Romanum, for Mr Soane's MuseumJ. M. W. Turner, 1826
Frosty morningJ. M. W. Turner, 1813
La Belle IseultWilliam Morris, 1858
London from Greenwich ParkJ. M. W. Turner, 1809
Morning amongst the Coniston Fells, CumberlandJ. M. W. Turner, 1798
Portrait of Master Crewe as Henry VIIIJoshua Reynolds, 1775
Shade and DarknessJ. M. W. Turner, 1843
The Damsel of Sanct GraelDante Gabriel Rossetti, 1857
The Gate of CalaisWilliam Hogarth, 1748
The Hero of a Hundred FightsJ. M. W. Turner, 1847
The Sun of Venice Going to SeaJ. M. W. Turner, 1843
Woman in YellowDante Gabriel Rossetti, 1863