
The story
Henry Clay Frick made his fortune in coke and steel, as a partner of Andrew Carnegie and one of the harder men in American industry. Near the end of his life he built a mansion on Fifth Avenue in New York to hold the old master paintings he had been buying, and he arranged that once his family was gone it would become a public museum, kept as a home rather than a gallery.
That is still the effect. Vermeers, a Bellini "St. Francis in the Desert," a Rembrandt and a Holbein hang in wood-paneled rooms around a skylit garden court, without labels crowding them, as though the owner had just stepped out. The house recently closed for its first major renovation in nearly ninety years and reopened in 2025, this time opening the family's private second floor to visitors for the first time. The paintings still hang where Frick meant them to, in the rooms he actually lived in.
Collection
44 works
The Mall in St. James's ParkThomas Gainsborough, 1783
The White HorseJohn Constable, 1819
An Officer (probably the Count of Teba)Francisco Goya, 1804
Don Pedro, Duque de OsunaFrancisco Goya, 1795
Portrait of a manFrans Hals, 1660
St. JeromeEl Greco, 1609
The Harbor of DieppeJ. M. W. Turner, 1825
An Augustinian Nun (Saint Monica)Piero della Francesca, 1454
Antwerp: Van Goyen Looking Out for a SubjectJ. M. W. Turner, 1833
Arrangement in Black and Gold: Comte Robert de Montesquiou-FezensacJames McNeill Whistler, 1891
Arrangement in Brown and Black: Portrait of Miss Rosa CorderJames McNeill Whistler, 1876
Augustinian SaintPiero della Francesca, 1454
Cologne: The Arrival of a Packet-Boat: EveningJ. M. W. Turner, 1826
Lodovico CapponiBronzino, 1550
Miss Mary EdwardsWilliam Hogarth, 1742
Mortlake Terrace: Early Summer MorningJ. M. W. Turner, 1826
Portrait of a woman said to be Hylck BonerFrans Hals, 1635
St. John the EvangelistPiero della Francesca, 1454
Symphony in Flesh Colour and Pink: Portrait of Mrs Frances LeylandJames McNeill Whistler, 1872