
ストーリー
Madrid's art quarter is often called the Golden Triangle, and this museum is its third point, a short walk from the Prado and the Reina Sofía. Where those two are Spanish state collections built over centuries, the Thyssen-Bornemisza was assembled in two generations by one family. Baron Heinrich Thyssen-Bornemisza, a German-Hungarian industrialist, started buying Old Masters between the wars, and his son Hans Heinrich carried it much further, adding Impressionists, Expressionists and American painting that European collectors then overlooked.
By the late 1980s the Baron was looking for a permanent home, and several countries competed to house the collection. Spain won, helped by his Spanish wife Carmen Cervera, and in 1993 the state bought around 775 works and installed them in the Palacio de Villahermosa, an early 19th-century mansion on the Paseo del Prado remodelled inside to hold them.
The pleasure of the place is its span. You can walk from 14th-century Italian gold-ground panels through Holbein, Caravaggio and Rubens into Monet and Van Gogh, and on to Kandinsky, Hopper and Lichtenstein, all under one roof. It fills the gaps the Prado leaves, which is why the three museums are usually visited as a set. Among its best-loved single works is Ghirlandaio's portrait of a young woman in profile, her red dress sharp against a dark ground.
コレクション
46点の作品
聖カシルダフランシスコ・デ・スルバラン, 1635
サン・ヴィオから見たヴェネツィアの大運河カナレット, 1723
無原罪の御宿りエル・グレコ, 1611
復活祭の朝カスパー・ダーヴィト・フリードリヒ, 1828
黄昏の風景フィンセント・ファン・ゴッホ, 1885
マタ・ムアポール・ゴーギャン, 1892
アセンシオ・フリアの肖像フランシスコ・ゴヤ, 1798
横たわる裸の羊飼いの娘ベルト・モリゾ, 1891
アルルの荷役労働者フィンセント・ファン・ゴッホ, 1888
オーバーマルクトのムルナウの家々ワシリー・カンディンスキー, 1908
明るい楕円の中にワシリー・カンディンスキー, 1925
三つの斑点のある絵、第196番ワシリー・カンディンスキー, 1914
アントニオ・アンセルミの肖像ティツィアーノ, 1550
若い男の肖像ラファエロ, 1515
農夫の肖像ポール・セザンヌ, 1900
受胎告知エル・グレコ, 1598
青い小舟クロード・モネ, 1887
悔悛する聖ヒエロニムスティツィアーノ, 1570
ヘネップの水車小屋フィンセント・ファン・ゴッホ, 1884
庭のパラソルの女性ピエール=オーギュスト・ルノワール, 1875
ムルナウ、ヨハニス通りの上手ワシリー・カンディンスキー, 1908