
폴 시냐크
1863–1935 · 프랑스 · 점묘주의
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Signac met Georges Seurat in 1884 and the two of them worked out, over the next few years, a method of painting in small dots of pure, unmixed color, placed so that the eye rather than the brush would do the blending. They called it divisionism; critics called it pointillism. When Seurat died suddenly in 1891 at only 31, Signac was the one who kept the technique going, writing a book on its theory and mentoring the next generation, including a young Henri Matisse.
Sailing shaped what he painted as much as any theory did. Signac kept a boat and worked his way along the Mediterranean coast, docking for weeks at a time in a fishing village called Saint-Tropez that was barely known before he started painting its harbor in dots of color, drawing other artists there after him.
He was also an anarchist, part of a circle that included the critic Félix Fénéon and fellow painter Camille Pissarro, though his politics stayed mostly on the page rather than in the street. He served as president of the Salon des Indépendants, the exhibition society with no jury and no prizes, for nearly three decades, from 1908 until his death in 1935.
작품
작품 25점
제노바 부근의 놀리 곶폴 시냐크, 1898
작품 217번. 박자와 각도, 색조와 색채로 율동을 이룬 배경의 에나멜 위에, 1890년 펠릭스 페네옹 씨의 초상폴 시냐크, 1890
마르세유 항구폴 시냐크, 1907
조화의 시대에폴 시냐크, 1895
베네치아, 대운하폴 시냐크, 1905
카시스, 캅 롱바르, 작품 196번폴 시냐크, 1889
세관원의 오솔길폴 시냐크, 1905
일요일폴 시냐크, 1889
생트로페의 소나무폴 시냐크, 1909
아침 식사폴 시냐크, 1886
골프주앙폴 시냐크, 1896
로테르담 항구폴 시냐크, 1907
라로셸 항구폴 시냐크, 1915
우물가의 여인들폴 시냐크, 1892
마르세유 항구 입구폴 시냐크, 1911
레앙들리폴 시냐크, 1886
생트로페의 리스 광장폴 시냐크, 1893
클리시 부두, 흐린 날씨폴 시냐크, 1887
지는 해, 콩카르노의 정어리잡이폴 시냐크, 1891
생트로페의 종탑폴 시냐크, 1896
보나벤투라 소나무폴 시냐크, 1893
베네치아 산마르코 석호폴 시냐크, 1905
카이로 거리의 두 모자 장인폴 시냐크, 1885
베네치아, 노란 돛폴 시냐크, 1904
라로셸, 항구를 나서며폴 시냐크, 1912