
故事
The gallery carries one man's name because it was, quite literally, one man's project. Pavel Tretyakov, a Moscow textile merchant, began buying Russian paintings in the 1850s with a clear aim, to build a national collection at a time when serious collectors chased European art. He bought straight from living artists, filled his house until the pictures crowded the family out, and in 1892 handed the whole collection, some 2,000 works, to the city of Moscow as a gift.
The building he had expanded became a landmark in its own right. Its fairy-tale front, all red brick, white stone and a pointed gable like a folk tale come to life, was designed after 1900 by the painter Viktor Vasnetsov, so the container matches the Russian art inside.
And that art is the story of Russian painting itself. Here is Andrei Rublev's Trinity, the 15th-century icon widely held to be the greatest in Russian art, and the huge canvases of the Wanderers, the realists who broke with the academy. One of them, Ilya Repin's picture of Ivan the Terrible cradling the son he has just killed, has been attacked twice by visitors, slashed in 1913 and struck again in 2018, and each time painstakingly restored. Nearby hang Kramskoy's watchful portraits and Surikov's vast, crowded scenes from Russian history, and a whole hall of medieval icons the museum shows as art.
馆藏
71 件作品
给红马洗浴库兹马·彼得罗夫-沃德金, 1912
金色的秋天伊萨克·列维坦, 1895
莫斯科小院瓦西里·波列诺夫, 1878
在永恒的安息之上伊萨克·列维坦, 1894
彼得大帝在彼得宫审讯皇太子阿列克谢·彼得罗维奇尼古拉·盖伊, 1871
美人鲍里斯·库斯托季耶夫, 1915
女骑手卡尔·布留洛夫, 1832
塔拉卡诺娃公主康斯坦丁·弗拉维茨基, 1864
索科尔尼基·秋天伊萨克·列维坦, 1879
春天。大水伊萨克·列维坦, 1897
黑海伊万·艾瓦佐夫斯基, 1881
美人鱼伊万·克拉姆斯科伊, 1871
倒下的恶魔米哈伊尔·弗鲁贝尔, 1902
白桦林阿尔希普·库因芝, 1879
阿廖努什卡维克托·瓦斯涅佐夫, 1881
博斯普鲁斯海峡的月夜伊万·艾瓦佐夫斯基, 1894
荒芜的池塘瓦西里·波列诺夫, 1879
养蜂人伊万·克拉姆斯科伊, 1872
白桦林伊萨克·列维坦, 1889
深潭旁伊萨克·列维坦, 1892
初雪瓦西里·波列诺夫, 1891
耕地上:春阿列克谢·韦涅齐阿诺夫, 1820
潘米哈伊尔·弗鲁贝尔, 1899
彩虹伊万·艾瓦佐夫斯基, 1873
伊戈尔王公之战后维克托·瓦斯涅佐夫, 1880