
Guido Reni
1575–1642 · Papal States · Baroque
The story
Guido Reni was born in Bologna in 1575, the son of musicians, and at nine he was apprenticed to a Flemish painter working in the city. He soon moved to the academy run by the Carracci brothers, the workshop that was pulling Italian painting back toward clarity and grace after the twisting excesses of late Mannerism.
His most admired work is a ceiling. In 1614, for a garden house beside a cardinal's palace in Rome, Reni painted Aurora, the goddess of dawn, scattering flowers ahead of Apollo's chariot as the sun-god rides out over a waking landscape. The frieze runs light and even across the vault, closer to a Raphael relief than to the deep shadows Caravaggio had made fashionable a few years earlier in the same city.
Reni divided his life between Rome and Bologna, turning out altarpieces whose upturned faces and soft colour were copied for two centuries. He was also a compulsive gambler who ran up heavy debts in his last years, painting faster and looser to pay them. He died in Bologna in 1642 and was buried in the church of San Domenico there.
Works
41 works
Saint John the EvangelistGuido Reni, 1618
Saint Mary MagdaleneGuido Reni, 1634
Saint SebastianGuido Reni, 1619
Salome with the Head of Saint John the BaptistGuido Reni, 1638
Self-portraitGuido Reni, 1635
Sleeping PuttoGuido Reni, 1627
Susannah and the EldersGuido Reni, 1622
The Adoration of the ShepherdsGuido Reni, 1640
The Assumption of the Virgin MaryGuido Reni, 1638
The Baptism of ChristGuido Reni, 1622
The Crucifixion of Saint PeterGuido Reni, 1604
The Penitent MagdaleneGuido Reni, 1631
The Purification of the VirginGuido Reni, 1635
The Sorrowing Virgin (Mater Dolorosa)Guido Reni, 1618
The Union of Drawing and ColorGuido Reni, 1623
The Virgin and Child with the Infant Saint John the BaptistGuido Reni, 1607