
The story
People line up outside the Accademia in Florence for one thing, a block of marble carved by Michelangelo when he was in his twenties. His David stood for centuries outside the town hall in the open air, until 1873, when the city moved it indoors to protect it and built a domed alcove here to hold it, more than five metres of tensed young man about to fight.
The walk up to him passes some of Michelangelo's unfinished sculptures, the Prisoners, figures that seem to be struggling out of the raw stone, chisel marks still on them. Seeing them first changes how the finished David reads.
The gallery began in the 1780s as the teaching collection of Florence's art academy, and it keeps that character. Beyond the sculpture there are rooms of gold-ground Florentine paintings and a collection of old musical instruments, including a violin and a cello made by Antonio Stradivari for the Medici court.
Collection
11 works
Venus and CupidPontormo, 1533
Annunciation TriptychLorenzo Monaco, 1406
The VisitationPietro Perugino, 1470
Virgin of the SeaSandro Botticelli, 1477
Vallombrosa AltarpiecePietro Perugino, 1500
Madonna and Child with Saint John the Baptist and Two AngelsSandro Botticelli, 1470
Saint John the BaptistFilippino Lippi, 1498
St Mary MagdaleneFilippino Lippi, 1498
Retable of TrebbioSandro Botticelli, 1498
Saints Stephen, James, and PeterDomenico Ghirlandaio, 1493
The AnnunciationFilippino Lippi, 1472