
ティツィアーノ
1488–1576 · ヴェネツィア共和国 · ヴェネツィア派
ストーリー
Titian ran the busiest and most powerful painting workshop in 16th-century Venice, and he ran it for a very long time. Born around 1488 in the mountains north of the city, he took over as Venice's leading painter after Giovanni Bellini died, and confirmed it in 1518 with a towering altarpiece of the Virgin rising to heaven for the Frari church, its figures larger and more alive than anything the city had seen.
His reach went far beyond Venice. In 1530 he met the Holy Roman Emperor Charles V, the most powerful man in Europe, and became his favoured portraitist. The story goes that the emperor once bent to pick up a brush Titian had dropped, an unheard-of gesture toward a mere painter. Charles made him a count, and his son Philip II of Spain kept Titian on for decades, commissioning a series of large mythological canvases of Greek gods and mortals that the painter shipped off to Madrid.
Titian worked into extreme old age, and his late paintings loosen almost to a blur, the paint dragged and smeared with fingers as much as brushes, so that up close they dissolve. He was still at it when the plague swept through Venice in 1576. It killed him that August, along with his son Orazio, and he was buried in the same Frari church that held his first great triumph. He was somewhere near 88.
作品
215点の作品
サロメティツィアーノ, 1550
悔悟する聖ヒエロニムスティツィアーノ, 1531
ゲツセマネの祈りティツィアーノ, 1558
殉教者聖ペトロの暗殺ティツィアーノ, 1528
羊飼いのいる聖家族ティツィアーノ, 1510
ヴィーナスとアドニスティツィアーノ, 1560
ヴィーナスとアドニスティツィアーノ, 1550
聖母子と聖アントニウス、聖ヒエロニムス、聖フランチェスコティツィアーノ, 1519
聖母子と聖ステファノ、聖ヒエロニムス、聖マウリティウスティツィアーノ, 1517
サン・ニコロ・デッラ・ラットゥーガの祭壇画ティツィアーノ, 1520
受胎告知ティツィアーノ, 1535
キリストと姦淫の女ティツィアーノ, 1520
キリストと姦淫の女ティツィアーノ, 1509
祝福するキリストティツィアーノ, 1570
ゴッツィ祭壇画ティツィアーノ, 1520
ホロフェルネスの首を持つユディトティツィアーノ, 1570
正義ティツィアーノ, 1508
オルフェウスとエウリュディケティツィアーノ, 1509
ある婦人の肖像ティツィアーノ, 1545
音楽家の肖像ティツィアーノ, 1510
若い男の肖像ティツィアーノ, 1515
カール5世の肖像ティツィアーノ, 1549
ジャコモ・ディ・アンドレア・ドルフィンの肖像ティツィアーノ, 1531
ジュリア・ヴァラーノの肖像ティツィアーノ, 1546
教皇シクストゥス4世の肖像ティツィアーノ, 1545