
ティツィアーノ
1488–1576 · ヴェネツィア共和国 · ヴェネツィア派
ストーリー
Titian ran the busiest and most powerful painting workshop in 16th-century Venice, and he ran it for a very long time. Born around 1488 in the mountains north of the city, he took over as Venice's leading painter after Giovanni Bellini died, and confirmed it in 1518 with a towering altarpiece of the Virgin rising to heaven for the Frari church, its figures larger and more alive than anything the city had seen.
His reach went far beyond Venice. In 1530 he met the Holy Roman Emperor Charles V, the most powerful man in Europe, and became his favoured portraitist. The story goes that the emperor once bent to pick up a brush Titian had dropped, an unheard-of gesture toward a mere painter. Charles made him a count, and his son Philip II of Spain kept Titian on for decades, commissioning a series of large mythological canvases of Greek gods and mortals that the painter shipped off to Madrid.
Titian worked into extreme old age, and his late paintings loosen almost to a blur, the paint dragged and smeared with fingers as much as brushes, so that up close they dissolve. He was still at it when the plague swept through Venice in 1576. It killed him that August, along with his son Orazio, and he was buried in the same Frari church that held his first great triumph. He was somewhere near 88.
作品
215点の作品
ウルビーノのヴィーナスティツィアーノ, 1538
聖母被昇天ティツィアーノ, 1517
聖愛と俗愛ティツィアーノ, 1514
カール5世騎馬像ティツィアーノ, 1548
フローラティツィアーノ, 1517
思慮の寓意ティツィアーノ, 1550
バッカスとアリアドネティツィアーノ, 1520
ディアナとアクタイオンティツィアーノ, 1557
ペーザロの聖母ティツィアーノ, 1522
エウロペの略奪ティツィアーノ, 1560
ラ・ベラティツィアーノ, 1537
ピエタティツィアーノ, 1575
教皇パウルス3世とその孫たちティツィアーノ, 1546
鏡を持つ女ティツィアーノ, 1515
悔悛するマグダラのマリアティツィアーノ, 1563
アンドロス島の酒宴ティツィアーノ, 1523
ラ・スキアヴォーナティツィアーノ, 1510
田園の奏楽ティツィアーノ, 1510
タルクィニウスとルクレティアティツィアーノ, 1571
貢の銭ティツィアーノ, 1516
鏡を見るヴィーナスティツィアーノ, 1555
ディアナとカリストティツィアーノ, 1557
手袋の男ティツィアーノ, 1520
ノリ・メ・タンゲレ(我に触れるな)ティツィアーノ, 1514
悔悛するマグダラのマリアティツィアーノ, 1533