
아메데오 모딜리아니
1884–1920 · 이탈리아 왕국 · 현대 미술
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Modigliani reached Paris in 1906 from the Italian port of Livorno and settled in Montparnasse, then packed with poor immigrant artists, many of them Jewish like him. What he wanted above all was to be a sculptor, carving long stone heads under the influence of his neighbour Brancusi and the African masks then flooding the city's dealers. He had carried tuberculosis since boyhood, and the stone dust tore at his lungs, so around 1914 he set down the chisel and turned to paint.
What he made there is unmistakable: faces drawn out long, necks stretched, eyes often left as blank almond shapes with no pupils. He worked fast, frequently for a few francs or a meal, and drank and took drugs hard. A landlord who seized his canvases against unpaid rent is said to have used them to patch old mattresses.
In 1917 he met Jeanne Hebuterne, a young art student who became his companion and the subject of some 20 portraits. His health gave way, and in January 1920 he died of tubercular meningitis at 35, by then well known in the cafes but still barely selling. Jeanne, nine months pregnant with their second child, jumped from a fifth-floor window the next morning.
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작품 122점
루니아 체호프스카의 초상아메데오 모딜리아니, 1917
레누아르 부인의 초상아메데오 모딜리아니, 1916
마르게리타의 초상아메데오 모딜리아니, 1916
마리오 바르폴리의 초상아메데오 모딜리아니, 1919
파블로 피카소의 초상아메데오 모딜리아니, 1915
폴 기욤의 초상아메데오 모딜리아니, 1916
피에르 르베르디의 초상아메데오 모딜리아니, 1915
누워 있는 누드아메데오 모딜리아니, 1919
손을 맞잡은 채 누워 있는 누드아메데오 모딜리아니, 1917
머리를 풀어헤친 누워 있는 누드아메데오 모딜리아니, 1917
붉은 머리아메데오 모딜리아니, 1915
파란 블라우스를 입은 앉아 있는 여인아메데오 모딜리아니, 1919
서 있는 카리아티드아메데오 모딜리아니, 1913
이탈리아 여인아메데오 모딜리아니, 1918
화가 크레멘아메데오 모딜리아니, 1916
예쁜 주부아메데오 모딜리아니, 1915
비킹 에겔링아메데오 모딜리아니, 1916
알제의 여인아메데오 모딜리아니, 1917
귀걸이를 한 여인아메데오 모딜리아니, 1917
젊은 여인아메데오 모딜리아니, 1918
민중의 젊은 여인아메데오 모딜리아니, 1918
카리아티드아메데오 모딜리아니, 1911