
故事
To reach this museum you cross a national park, often on one of the free white bicycles, riding through the heath and pine of the Hoge Veluwe. The forest was once the private estate of Anton and Helene Kröller-Müller, and the art inside is Helene's life's work. Between 1908 and 1929 she bought on an extraordinary scale, convinced that Vincent van Gogh was a great modern master before most of the world agreed, and she gathered nearly 90 of his paintings and more than 180 drawings.
That makes it the largest Van Gogh holding after the Van Gogh Museum, and here his work hangs in daylight and quiet, from sombre early Dutch heads to the blazing Café Terrace at Night, painted in Arles. Helene gave her collection and the estate to the Dutch state, and the museum, designed by the Belgian architect Henry van de Velde, opened in 1938, low and horizontal so the rooms open onto the woods.
The other half of a visit is outside. The sculpture garden, laid out from 1961, spreads over around 30 hectares of lawn and forest and is one of the largest in Europe, with works by Rodin, Barbara Hepworth, Jean Dubuffet and Claes Oldenburg set among the trees. A giant trowel driven into the grass and a mirrored maze turn the walk between them into part of the art.
馆藏
60 件作品
夜间露天咖啡座文森特·梵高, 1888
永恒之门文森特·梵高, 1890
柏树与星之路文森特·梵高, 1890
康康舞乔治·修拉, 1889
树林中的少女文森特·梵高, 1882
有草帽的静物文森特·梵高, 1885
山间草地:圣保罗农庄文森特·梵高, 1889
红白牛拉的车文森特·梵高, 1884
独眼巨人奥迪隆·雷东, 1914
阿尔勒公园的小径文森特·梵高, 1888
日落时的白杨林荫道文森特·梵高, 1884
黑白构成10号皮特·蒙德里安, 1915
日落时的柳树文森特·梵高, 1888
翁弗勒尔港口一角乔治·修拉, 1886
柏树与两个人影文森特·梵高, 1889
祖阿夫少尉保罗-欧仁·米耶肖像文森特·梵高, 1888
一盘洋葱静物文森特·梵高, 1889
贝辛港的星期天乔治·修拉, 1888
格拉沃利讷运河,面朝大海乔治·修拉, 1890
播种者(日落时的播种者)文森特·梵高, 1888
滨海圣玛丽景色文森特·梵高, 1888
早餐保罗·西涅克, 1886
有树木和蒲公英的开花草地文森特·梵高, 1890
盛开的桃树文森特·梵高, 1888
约瑟夫·卢兰文森特·梵高, 1889