
The story
This is the place to see Venetian painting where it was made. The Gallerie dell'Accademia gathers the greatest collection of it anywhere, five centuries of Bellini, Giorgione, Titian, Veronese, Tintoretto and Tiepolo, all within sight of the canals and light that shaped their colour.
The buildings were religious before they held art. The complex grew out of the Scuola Grande di Santa Maria della Carita, a medieval lay confraternity, and its church and monastery beside the Grand Canal. After Napoleon suppressed such institutions around 1800, the rooms were turned into an academy of fine arts and its gallery.
The pictures reward slow looking. Giorgione's small 'Tempest', from around 1508, sets a woman nursing a child and a soldier in a landscape under a bolt of lightning, and scholars have never agreed what it means. Carpaccio's storytelling cycles unroll across whole walls. The gallery also owns Leonardo da Vinci's famous drawing of a man inscribed in a circle and a square, the 'Vitruvian Man', though it is so fragile that it comes out only rarely, kept in the dark between showings.
Collection
315 works
Allegory of FortuneGiovanni Bellini, 1490
Allegory of PaintingGiovanni Antonio Pellegrini
Allegory of SculptureGiovanni Antonio Pellegrini
Allegory of the AcademyDomenico Maggiotto, 1762
Allegory of the Art of PaintingFrancesco Maggiotto
Allegory of the virtues MocenigoJacopo Guarana, 1787
Altarpiece of the Blessed ConceptionJacopo Bassano, 1541
A Martyr Saint and Saint ClareAlvise Vivarini
Ambassadors DepartVittore Carpaccio, 1495
Ambassadors Return to the English CourtVittore Carpaccio, 1498
Animals Entering Noah's ArkAnonymous
AnnunciationGirolamo di Tiziano, 1557
AnnunciationAntonello de Saliba, 1500
AnnunciationSebastiano Mazzoni, 1650
Annunciation PolyptychLorenzo Veneziano, 1357
Annunciation with SaintsLorenzo Veneziano, 1371
Antonio Canova after his deathPlacido Fabris, 1836
Apollo and MarsyasJohann Liss, 1627
Apparition of the Crucified of Mount AraratVittore Carpaccio, 1515
Apparition of the Virgin to Saint BonaventureLeandro Bassano, 1602
Architectural FantasyAntonio Visentini, 1771
Architectural perspectiveFrancesco Battaglioli
Arrival of the Pilgrims in CologneVittore Carpaccio, 1490
BacchanaliaFrancesco Zuccarelli, 1750
Banquet at the House of SimonBernardo Strozzi, 1630