
The story
Basel can claim the oldest public art collection in the world, and it began as a rescue. In 1661 the collection assembled by the Amerbach family, rich in works by Hans Holbein the Younger, was about to be sold to Amsterdam. The city and its university bought it instead, and a few years later they put it on show, which made it a museum open to ordinary citizens more than a century before the Louvre.
That Holbein group is still the heart of the place. Holbein lived and worked in Basel before he left for the English court, and the museum holds his portraits, designs and the unsettling Dead Christ in the Tomb, a narrow, coffin-shaped panel of a corpse so bleakly real that Dostoevsky, who saw it here, said it could make a believer lose their faith.
The building of 1936 carries the story onward through Böcklin, a deep run of Cubism and a floor of postwar and contemporary art, all of it added over the centuries to the cabinet the Amerbachs sold in 1661.
Collection
430 works
The Island of LifeArnold Böcklin, 1888
The Judgement of ParisLucas Cranach the Elder, 1528
The Judgement of ParisNiklaus Manuel, 1517
The Judgment of ParisAlbert von Keller, 1891
The Jungfrau seen from IsenfluhFerdinand Hodler, 1902
The MagdalenLucas Cranach the Elder, 1525
The March of the GothsArnold Böcklin, 1881
The Megalithic TombArnold Böcklin, 1847
The Miracle at the Birth of Saint NicholasPietro di Giovanni d'Ambrogio, 1437
The Muse ThaliaArnold Böcklin, 1893
The NativityHans Baldung Grien, 1510
The NativityAdriaen Isenbrandt, 1525
The Nizza in Frankfurt am MainMax Beckmann, 1921
The Pot of Strawberry JamJuan Gris, 1917
The Prodigal SonJan de Beer, 1520
The Prodigal Son Driven from the BrothelJan de Beer, 1520
The Prodigal Son in MiseryJan de Beer, 1520
The Prodigal Son Turned Away by a Rich ManJan de Beer, 1520
The Rosenlaui Valley with the WetterhornAlexandre Calame, 1856
The Triumph of DeathPieter Brueghel the Younger, 1626