
The story
Basel can claim the oldest public art collection in the world, and it began as a rescue. In 1661 the collection assembled by the Amerbach family, rich in works by Hans Holbein the Younger, was about to be sold to Amsterdam. The city and its university bought it instead, and a few years later they put it on show, which made it a museum open to ordinary citizens more than a century before the Louvre.
That Holbein group is still the heart of the place. Holbein lived and worked in Basel before he left for the English court, and the museum holds his portraits, designs and the unsettling Dead Christ in the Tomb, a narrow, coffin-shaped panel of a corpse so bleakly real that Dostoevsky, who saw it here, said it could make a believer lose their faith.
The building of 1936 carries the story onward through Böcklin, a deep run of Cubism and a floor of postwar and contemporary art, all of it added over the centuries to the cabinet the Amerbachs sold in 1661.
Collection
430 works
At the RacecourseEdgar Degas, 1861
Baigneur assis au bord de l'eauPaul Cézanne, 1876
Banks of the Loing near MoretAlfred Sisley, 1890
Bed of ChrysanthemumsClaude Monet, 1897
Black, Still in PlacePaul Klee, 1940
Blue Flask and ChickenJames Ensor, 1925
Blue NightPaul Klee, 1937
Bords d'une rivièrePaul Cézanne, 1904
Bouquet of AstersGustave Courbet, 1859
Bouquet of FlowersCamille Pissarro, 1900
Boy with CatPaula Modersohn-Becker, 1903
BurggartenPaul Klee, 1919
Bust of a Woman (Madame Bourdin)Édouard Manet, 1870
CalvaryGovert Flinck, 1649
Chestnut trees in OsnyCamille Pissarro, 1883
Child's HeadPierre-Auguste Renoir, 1906
Christ in the PraetoriumEugène Delacroix, 1849
Colour Table “Qu 1”Paul Klee, 1930
Coming into BloomPaul Klee, 1934
CompositionPiet Mondrian, 1921
Composition no. IPiet Mondrian, 1929
ContemplatingPaul Klee, 1938
Crystal GradationPaul Klee, 1921
Der KomikerPaul Klee, 1903
Don Quixote’s VigilHonoré Daumier, 1855