
Bronzino
1503–1572 · République de Florence · Maniérisme
L'histoire
Bronzino got his chance with the Medici at their wedding in 1539, when he painted decorations for the marriage of Duke Cosimo I to Eleonora di Toledo, a Spanish noblewoman not yet twenty. Cosimo liked the work enough to hire him outright, and Bronzino stayed the family's court painter for the next twenty-five years.
His portrait of Eleonora with her young son Giovanni, painted around 1545, shows her in a dress patterned with pomegranates against a background of lapis lazuli blue, the same expensive pigment usually reserved for the Virgin Mary's robe. Every fold of fabric is rendered so precisely it looks almost cold, a deliberate style: Bronzino's Medici portraits present rulers as composed and controlled, never caught off guard.
He also decorated Eleonora's private chapel in the Palazzo Vecchio, his first major commission for the family, and kept painting Medici portraits until his own death in 1572, ten years after Eleonora herself had died.
Œuvres
16 œuvres
Vénus, Cupidon, la Folie et le TempsBronzino, 1545
Portrait d'Éléonore de Tolède et de son fils Giovanni de MédicisBronzino, 1544
Portrait d'Andrea Doria en NeptuneBronzino, 1545
Portrait de Lucrezia PanciatichiBronzino, 1545
Portrait de Cosme Ier de MédicisBronzino, 1544
La Déposition du ChristBronzino, 1543
Portrait de Bartolomeo PanciatichiBronzino, 1540
Sainte Famille PanciatichiBronzino, 1539
Portrait d'un jeune homme au livreBronzino, 1540
Portrait de Bia de' MediciBronzino, 1543
Portrait de Giovanni de' Medici enfantBronzino, 1545
Portrait d'Ugolino MartelliBronzino, 1536
Allégorie de la FortuneBronzino, 1567
Portrait de Stefano ColonnaBronzino, 1546
Portrait du nain MorganteBronzino, 1553
Saint SébastienBronzino, 1533