
故事
At the end of a long gallery hangs Rembrandt's 'Night Watch', a militia company bursting into movement as their captain steps forward, painted in 1642. It is not quite the picture Rembrandt made. In 1715 the city moved it into the town hall, found it too wide for the wall, and trimmed strips off all four sides, cutting away two figures on the left for good. The museum has been studying and cleaning it inside a glass enclosure in full public view, a project it calls Operation Night Watch.
The Rijksmuseum is the national museum of the Netherlands, built to tell the country's story as much as to hang its paintings. Pierre Cuypers gave it a cathedral-like brick front in 1885, so crowded with Dutch history that critics at the time grumbled it looked more like a church than a museum. A ten-year renovation closed it almost completely, and it reopened in 2013 with the old picture halls restored.
The heart of it is the Golden Age, the 17th century when this small trading nation was briefly the richest in Europe and its citizens wanted themselves and their world painted. Vermeer's 'Milkmaid' pours her thin stream of milk in a plain room, still and exact. Around her hang the militia portraits, the sea battles and the frozen-canal scenes that these merchants and burghers commissioned of their own world.
馆藏
83 件作品
夜巡伦勃朗, 1642
倒牛奶的女仆约翰内斯·维米尔, 1660
犹太新娘伦勃朗, 1667
小街约翰内斯·维米尔, 1658
穿蓝衣读信的女子约翰内斯·维米尔, 1664
呢绒商行会理事伦勃朗, 1662
手持伯克迈尔酒杯的民兵,又称《快乐的饮酒者》弗兰斯·哈尔斯, 1629
情书约翰内斯·维米尔, 1668
冬季风景与滑冰者亨德里克·阿弗坎普, 1608
哀悼耶路撒冷毁灭的耶利米伦勃朗, 1630
圣彼得的否认伦勃朗, 1660
受威胁的天鹅扬·阿瑟林, 1650
维克·比·迪尔斯泰德的风车雅各布·范·勒伊斯达尔, 1670
一对夫妇的肖像,可能是伊萨克·马萨与贝阿特丽克丝·范德兰弗兰斯·哈尔斯, 1622
圣尼古拉节扬·斯特恩, 1665
风流对话,即《父亲的训诫》杰拉德·特尔博赫, 1654
扮成修士的提图斯伦勃朗, 1660
雷尼尔·雷尔上尉指挥的第十一区民兵连弗兰斯·哈尔斯, 1633
玛丽亚·特里普肖像伦勃朗, 1639
石桥伦勃朗, 1637
1607年4月25日荷兰在直布罗陀战胜西班牙舰队的寓意画亚当·维拉茨, 1615
代尔夫特市长和他的女儿扬·斯特恩, 1655
亚伯拉罕·德·波特肖像卡雷尔·法布里蒂乌斯, 1649
乱发自画像伦勃朗, 1628
德科克男爵中将逮捕蒂博尼哥罗尼古拉斯·皮内曼, 1830