
Bronzino
1503–1572 · Republic of Florence · Mannerism
The story
Bronzino got his chance with the Medici at their wedding in 1539, when he painted decorations for the marriage of Duke Cosimo I to Eleonora di Toledo, a Spanish noblewoman not yet twenty. Cosimo liked the work enough to hire him outright, and Bronzino stayed the family's court painter for the next twenty-five years.
His portrait of Eleonora with her young son Giovanni, painted around 1545, shows her in a dress patterned with pomegranates against a background of lapis lazuli blue, the same expensive pigment usually reserved for the Virgin Mary's robe. Every fold of fabric is rendered so precisely it looks almost cold, a deliberate style: Bronzino's Medici portraits present rulers as composed and controlled, never caught off guard.
He also decorated Eleonora's private chapel in the Palazzo Vecchio, his first major commission for the family, and kept painting Medici portraits until his own death in 1572, ten years after Eleonora herself had died.
Works
62 works
Saint John the BaptistBronzino, 1560
Saint MichaelBronzino, 1525
The Deposition of ChristBronzino, 1553
The Holy FamilyBronzino, 1525
The Holy Family with the Infant Saint John the Baptist (Madonna Stroganoff)Bronzino, 1541
The Madonna and Child with SaintsBronzino, 1540
Alessandro de' MediciBronzino, 1560
Ferdinando I de' medici as a childBronzino, 1560
Portrait of a Young ManBronzino, 1550
Portrait of Lucrezia di CosimoBronzino, 1560
The DepositionBronzino, 1561
Venus and CupidBronzino

