
乔凡尼·贝利尼
1430–1516 · 威尼斯共和国 · 文艺复兴
故事
Giovanni Bellini ran the most important painter's workshop in Venice for the better part of six decades, and two of the students who passed through it, Giorgione and Titian, went on to define the next generation of Venetian art. Both men later surpassed the reputation of the master who trained them, something Bellini seems to have accepted without much fuss, judging by how long they stayed welcome in his circle.
What Bellini actually changed was technique. Venice painted largely in tempera through most of the 15th century, but Bellini adopted oil paint early and used its slow drying time to build up thin, translucent layers of color, letting light seem to come from inside the paint rather than sit on its surface. Skies, water, and the folds of a robe all picked up a softness earlier Venetian painters hadn't managed, and that atmospheric quality became the signature of the whole Venetian school for a century after him.
He came from a family of painters, the son of Jacopo Bellini and brother of Gentile Bellini, and worked into his eighties, still active when he died in Venice in December 1516.
作品
58 件作品
诸神之宴乔凡尼·贝利尼, 1514
客西马尼园的祷告乔凡尼·贝利尼, 1459
圣母子登基与圣徒天使乔凡尼·贝利尼, 1480
草地上的圣母乔凡尼·贝利尼, 1500
总督莱昂纳多·洛雷丹肖像乔凡尼·贝利尼, 1500
圣匝加利亚祭坛画乔凡尼·贝利尼, 1505
孔塔里尼圣母乔凡尼·贝利尼, 1475
镜前的裸体少女乔凡尼·贝利尼, 1515
荒野中的圣方济各乔凡尼·贝利尼, 1480
阿尔扎诺圣母乔凡尼·贝利尼, 1486
献主于圣殿乔凡尼·贝利尼, 1469
挪亚醉酒乔凡尼·贝利尼, 1515
神圣寓言乔凡尼·贝利尼, 1490
红色小天使的圣母乔凡尼·贝利尼, 1485
圣母子乔凡尼·贝利尼, 1460
哀悼基督(圣殇)乔凡尼·贝利尼, 1505
基督显圣容乔凡尼·贝利尼, 1478
圣母子乔凡尼·贝利尼, 1510
小树间的圣母乔凡尼·贝利尼, 1487
基督复活乔凡尼·贝利尼, 1475
耶稣受难乔凡尼·贝利尼, 1455
圣母子乔凡尼·贝利尼, 1506
圣母子与施洗者圣约翰及一位圣人乔凡尼·贝利尼, 1504
佩萨罗祭坛画乔凡尼·贝利尼, 1471
圣克里斯托弗、圣杰罗姆和图卢兹的圣路易乔凡尼·贝利尼, 1513