
乔凡尼·贝利尼
1430–1516 · 威尼斯共和国 · 文艺复兴
故事
Giovanni Bellini ran the most important painter's workshop in Venice for the better part of six decades, and two of the students who passed through it, Giorgione and Titian, went on to define the next generation of Venetian art. Both men later surpassed the reputation of the master who trained them, something Bellini seems to have accepted without much fuss, judging by how long they stayed welcome in his circle.
What Bellini actually changed was technique. Venice painted largely in tempera through most of the 15th century, but Bellini adopted oil paint early and used its slow drying time to build up thin, translucent layers of color, letting light seem to come from inside the paint rather than sit on its surface. Skies, water, and the folds of a robe all picked up a softness earlier Venetian painters hadn't managed, and that atmospheric quality became the signature of the whole Venetian school for a century after him.
He came from a family of painters, the son of Jacopo Bellini and brother of Gentile Bellini, and worked into his eighties, still active when he died in Venice in December 1516.
作品
58 件作品
祝福的基督乔凡尼·贝利尼, 1464
圣母子乔凡尼·贝利尼, 1509
圣母子与圣加大肋纳及抹大拉的马利亚乔凡尼·贝利尼, 1490
西庇阿的宽仁乔凡尼·贝利尼, 1506
圣母子与两位圣徒乔凡尼·贝利尼, 1490
基督显圣容乔凡尼·贝利尼, 1455
弗里佐尼圣母乔凡尼·贝利尼, 1470
哀悼基督乔凡尼·贝利尼, 1490
雷曼圣母乔凡尼·贝利尼, 1470
洛基斯圣母乔凡尼·贝利尼, 1476
哀悼基督乔凡尼·贝利尼, 1455
圣母怜子与圣母及圣约翰福音传道者乔凡尼·贝利尼, 1455
威利斯圣母乔凡尼·贝利尼, 1485
圣文森特·费雷尔祭坛画乔凡尼·贝利尼, 1465
基督受洗乔凡尼·贝利尼, 1500
祝福的基督乔凡尼·贝利尼, 1500
宝座上的圣母朝拜熟睡的圣婴乔凡尼·贝利尼, 1475
乔瓦尼·埃莫乔凡尼·贝利尼, 1495
圣母子乔凡尼·贝利尼, 1488
男子肖像乔凡尼·贝利尼, 1490
约尔格·富格尔肖像乔凡尼·贝利尼, 1474
荒野中的圣哲罗姆乔凡尼·贝利尼, 1450
在荒野中阅读的圣哲罗姆乔凡尼·贝利尼, 1480
两位天使搀扶的基督之死乔凡尼·贝利尼, 1454
弗拉里三联画乔凡尼·贝利尼, 1488