
John Singleton Copley
1738–1815 · British Empire · Realism
The story
John Singleton Copley grew up in Boston with almost no real painters to learn from, and taught himself into the finest portraitist in colonial America. His sitters, merchants and their wives in sharp everyday clothes, look you dead in the eye with a plain, unsparing directness that European portraits usually softened away.
As the Revolution approached, Copley, married into a Loyalist family, left for London in 1774 and never came back. There he reinvented himself as a painter of modern history. His breakthrough was Watson and the Shark of 1778, showing a real event, a boy attacked by a shark in Havana harbour, staged with the drama once reserved for saints and battles.
He went on to huge canvases like The Death of Major Pierson, crowded with portraits of actual people. His American work and his London work barely look like the same hand, and collectors have argued ever since over which Copley was the better painter.
Works
20 works
Watson and the SharkJohn Singleton Copley, 1778
A Boy with a Flying Squirrel (Henry Pelham)John Singleton Copley, 1765
The Death of Major Peirson, 6 January 1781John Singleton Copley, 1783
Ann Tyng (Mrs. Thomas Smelt)John Singleton Copley, 1756
Dorothy Quincy (Mrs. John Hancock)John Singleton Copley, 1772
Ezekiel GoldthwaitJohn Singleton Copley, 1771
John HancockJohn Singleton Copley, 1765
John Quincy AdamsJohn Singleton Copley, 1796
Joseph WarrenJohn Singleton Copley, 1765
Mr. and Mrs. Isaac Winslow (Jemima Debuke)John Singleton Copley, 1773
Mrs. James Warren (Mercy Otis)John Singleton Copley, 1763
Mrs. Joseph Mann (Bethia Torrey)John Singleton Copley, 1753
Mrs. Richard Skinner (Dorothy Wendell)John Singleton Copley, 1772
Mrs. Samuel Quincy (Hannah Hill)John Singleton Copley, 1761
Paul RevereJohn Singleton Copley, 1768
Rebecca BoylstonJohn Singleton Copley, 1767
Samuel AdamsJohn Singleton Copley, 1772
The AscensionJohn Singleton Copley, 1775
The NativityJohn Singleton Copley, 1776
Watson and the SharkJohn Singleton Copley, 1778