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The gallery carries one man's name because it was, quite literally, one man's project. Pavel Tretyakov, a Moscow textile merchant, began buying Russian paintings in the 1850s with a clear aim, to build a national collection at a time when serious collectors chased European art. He bought straight from living artists, filled his house until the pictures crowded the family out, and in 1892 handed the whole collection, some 2,000 works, to the city of Moscow as a gift.
The building he had expanded became a landmark in its own right. Its fairy-tale front, all red brick, white stone and a pointed gable like a folk tale come to life, was designed after 1900 by the painter Viktor Vasnetsov, so the container matches the Russian art inside.
And that art is the story of Russian painting itself. Here is Andrei Rublev's Trinity, the 15th-century icon widely held to be the greatest in Russian art, and the huge canvases of the Wanderers, the realists who broke with the academy. One of them, Ilya Repin's picture of Ivan the Terrible cradling the son he has just killed, has been attacked twice by visitors, slashed in 1913 and struck again in 2018, and each time painstakingly restored. Nearby hang Kramskoy's watchful portraits and Surikov's vast, crowded scenes from Russian history, and a whole hall of medieval icons the museum shows as art.
소장품
작품 71점
볼셰비키보리스 쿠스토디예프, 1920
마리우폴의 추마크 길아르히프 쿠인지, 1875
땅거미. 건초더미이사크 레비탄, 1899
위로할 수 없는 슬픔이반 크람스코이, 1884
푸른 창공에서아르카디 릴로프, 1918
보트에서콘스탄틴 코로빈, 1888
크림 산속에서표도르 바실리예프, 1873
회색 늑대를 탄 이반 차레비치빅토르 바스네초프, 1889
파란 옷의 여인콘스탄틴 소모프, 1897
소령의 청혼파벨 페도토프, 1848
종이 등불콘스탄틴 코로빈, 1896
마리야 이바노브나 로푸히나의 초상블라디미르 보로비콥스키, 1797
마리야 예르몰로바의 초상발렌틴 세로프, 1905
처녀의 탑이반 아이바좁스키, 1848
북쪽아르히프 쿠인지, 1879
연못빅토르 보리소프무사토프, 1902
젖은 초원표도르 바실리예프, 1872
노보데비치 수도원의 소피야 여제일리야 레핀, 1879
베료조보의 멘시코프바실리 수리코프, 1883
모스크바 I바실리 칸딘스키, 1916
움직임 I바실리 칸딘스키, 1935